2011 show on huffington post
i am posting some old reviews and articles. this link was on huffington post and shows my paintings from my exhibition at ronald feldman gallery that year.
Article by Evan Maloney from 2006
Article by Evan Maloney from 2004
i am posting some old reviews and articles. this one was in the Cordite review written by evan maloney,
Review by Grace Glueck, NY Times from 2004
i am posting some old reviews and articles. this one is about my show in new york at Ronald Feldman Gallery. . it was in the new york times.
Review by Robert Nelson from 2004
i am posting some old reviews and articles. this one is about my show in 2004, i put it up in melbourne for people here to see before they were sent to my gallery for my show in new york. so robert got to see it and wrote about it.
The Approach to Cameron Hayes – 14 Kurdish refugees…
here is an article my friend wrote about my Milikapiti works. the show is on at Dark Horse Experiment at 110 franklin st in Melbourne from 1st august until september 2.
this is the article here – ARTICLE
this is a painting from the show.

14 Kurdish refugees land in Milikapiti and ask, “is this Australia?” – 4th November 2003, 2012, oil on linen, 61 x 81 cm
on the 4th. of november 2003 14 kurdish refugees landed on the beach at milikapiti. one of the kurds yelled out from the boat ‘IS THIS AUSTRALIA ‘. the tiwis on the shore were not sure because the australian government was disowning the bits of itself that could be used to help people like the refugees.
this is an article from SMH about this story
Quote from marielle’s article about this work:
“The latter work referencing the sinister use of marketing in politics and the media. Based on a true story, a group of refugees were spotted on a vessel in the bay at Milikapiti. The conservative Howard Government of the time did a fantastic job of instilling a fear and hatred campaign of refugees through the media, basically branding them as potential terrorists and possible carriers of unknown diseases. It worked. So pervasive was this strategic political message that it even reached across the nation from capital cities to remote small communities. So here we have asylum seekers in the guise of The Raft of the Medusa, instead of ragged cloth they are waving brand name t-shirts representing our new dominant culture – the well marketed Brand. Would they have more success by appealing, not to empathetic fellow people, not to other displaced victims, but to those who like the same brands – who do you identify with? Are you Nike or more of a Burberry? Are you Apple or PC? Are you Right or Left?”
The rescued refugees…
here is a link to an article about my painting The rescued refugees had to live off what was on the container ship, which because it was headed for Australia was full of fake Italian fashions and pet food
Click here to read the article by Catherine Schwerin
here is a photo of my painting –
Sarah Lewis: Emergent Melbourne, Cameron Hayes
Presenting a wonderful short film by Melbourne based film maker Sarah Lewis; offering an insight into the machinations of artist Cameron Hayes.
Emergent Melbourne – Cameron Hayes from Sarah Lewis on Vimeo.
The Russians knew perfectly well …..
here is an article about my painting The Russians knew perfectly well that the happiness of the African animals was that they had such low expectations – before the pets were introduced. it was on the front cover of the Jan 2009 edition of Emerging Infectious Diseases !
Click on this link to read the Article.
here is a photo of the whole painting –
review by robert shuster in the village voice 2011
i am posting some old reviews and articles. this review written by robert shuster was in the village voice 2011 and is about my exhibition at ronald feldman gallery that year.
CLICK THIS TO READ THE ARTICLE
Orphanages make the best skyscrapers,
2011
oil on linen
78 x 100 inches