Tag Archive | censorship

Officially Filed under ART CONTROVERSY

It’s official – Art Controversy! Prince, we need you to write the score!

Although it feels like it could just keep going Cameron Hayes’ show finishes tomorrow! Two further articles on the final stretch officially confirms this show has been an ART CONTROVERSY! Who would have thought? Apparently no-one for the past 8 years, but who knew? Melbourne City Council joined in on the act by informing the artist that his exhibition listing was taken down from their website ‘What’s On’ as it breached the Code of Conduct for “appropriated Indigenous ceremonial styles and clan motifs”. However, no-one from the council visited the show, they couldn’t explain how it appropriated styles or motifs, they couldn’t provide an explanation of due process, nor could they provide any recourse for rebuttal. Interesting! But at any rate, it provided further media attention, an extension of the show, and more visitors.

Read the article below!

The article appeared in Melbourne’s MX Newspaper, Friday 31st August, 2012

Interview on 7.30 Report

here is a link to my interview on the 7.30 report on the abc

CLICK HERE TO WATCH

Cameron Hayes
Dog torturers behind the Milikapiti Clinic, 2006
oil on linen
77 1/2 x 83 1/2 inches
Photo: Hermann Feldhaus
Courtesy Ronald Feldman Fine Arts, New York

Cameron Hayes exhibition opens in Melbourne today

Cameron Hayes’ extensive body of work created over the past 8 years – The Incomplete History of Milikapiti – will be on show at Dark Horse Experiment gallery in Melbourne from tonight until the 2nd September.

Come and visit the show. If you have any thoughts or questions, contact Cameron. He might even be in the gallery some days.

Have a read of this article about the body of work before you go. It’s pretty interesting. And, if you can’t get to Melbourne to see the show check out this blog and the Dark Horse Experiment website for the full catalogue.

Soft sculpture installation from The Incomplete History of Milikapiti. There are more weird, fun and wonderful sculptures in the show.

The Incomplete History of Milikapiti

When all the Whites came to Milikapiti, they gave all the Tiwis sugar, flour, beer and the dole. The Tiwi hunters – famed for their ferocity and courage – were no longer needed to hunt and kill food for the community. The Tiwi hunters had no purpose, so they lost their self-esteem and just sat around the club drinking beer.

Because the Tiwis ate only flour and sugar their teeth started to fall out. The government provided only one size of too big false teeth for everyone.

When the Whites gave all the Tiwis ladders, everyone could get their own mangoes, so the best tree climbers in the community lost their jobs and their importance, and drank beer. Because the Kookaburras got ladders, they no longer felt they needed to fly, so their wings shrank and they put on weight.

Which was fine until they met the King Brown snake, who remembered how things used to be and killed the kookaburras, whose now tiny wings could not fly their fat bodies away from King Brown’s bite.

King Brown’s poo covered the ground all over the Tiwi Islands and was a constant embarrassment to the people and the animals.

Is there anything more humiliating than seeing your father humiliated? When the government gave everyone the dole, the proud Tiwi warriors got the same amount of money as the obnoxious baseball-cap-backwards-wearing teenagers, who got the same amount as the old Tiwi women, who got the same amount as the guy who just sleeps in the broken-down old car all day.

When the Whites gave all the Tiwis glasses, the owls with the best eyesight felt valueless. They started stealing everybody’s glasses in the community, and sometimes this created domestic violence.

dog torturers ?

here is another article about my show coming up in august. this is the link http://www.aboriginalartnews.com.au/2012/06/exhibition-cancelled-after-tiwi-protest.php

Cameron Hayes
Dog torturers behind the Milikapiti Clinic, 2006
oil on linen
77 1/2 x 83 1/2 inches
Photo: Hermann Feldhaus
Courtesy Ronald Feldman Fine Arts, New York

another outrage

An article about the forthcoming show from artinfo.com

Perhaps you can now find the article by clicking ON THIS LINK  The article is called Why Artist Cameron Hayes Was Censored: Depictions of Aboriginal Life by White Artist Spark Outrage and it is written by Nicholas Forrest.

The least convincing rap band in the world – 11th August 1997, Cameron Hayes, 2012, oil on linen, 31 x 41 cm