Cameron Hayes, Dirty nappies, 2006, mixed media.
Hardly anyone believes in promised wives and just about no one would use it as an excuse to hurt a child. Hundreds of nappies are brought in on the barge every fortnight. It’s hard to dispose of them, so some people throw their dirty nappies on each others roofs. Once I was sitting under the tree, waiting for the shop to open with some children, when the one still in nappies wanted money. She kept trying to sit on my lap and put her arm around my neck. It felt like when you’re unexpectedly falling and tasted like a mouthful of your own blood. Hardly anyone believes in promised wives, and just about no one would use it as an excuse to hurt a child.
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Dirty Nappies
Cameron Hayes, Dirty nappies, 2006, mixed media.
Hardly anyone believes in promised wives and just about no one would use it as an excuse to hurt a child. Hundreds of nappies are brought in on the barge every fortnight. It’s hard to dispose of them, so some people throw their dirty nappies on each others roofs. Once I was sitting under the tree, waiting for the shop to open with some children, when the one still in nappies wanted money. She kept trying to sit on my lap and put her arm around my neck. It felt like when you’re unexpectedly falling and tasted like a mouthful of your own blood. Hardly anyone believes in promised wives, and just about no one would use it as an excuse to hurt a child.
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Tags: Aboriginal Australia, Art, Australia, Australian art, Contemporary art, domestic abuse, milikapiti, social commentary, soft sculpture, tiwi