Review by Robert Nelson from 2004
i am posting some old reviews and articles. this one is about my show in 2004, i put it up in melbourne for people here to see before they were sent to my gallery for my show in new york. so robert got to see it and wrote about it.
Interview on 7.30 Report
here is a link to my interview on the 7.30 report on the abc
Cameron Hayes exhibition opens in Melbourne today
Cameron Hayes’ extensive body of work created over the past 8 years – The Incomplete History of Milikapiti – will be on show at Dark Horse Experiment gallery in Melbourne from tonight until the 2nd September.
Come and visit the show. If you have any thoughts or questions, contact Cameron. He might even be in the gallery some days.
Have a read of this article about the body of work before you go. It’s pretty interesting. And, if you can’t get to Melbourne to see the show check out this blog and the Dark Horse Experiment website for the full catalogue.

Soft sculpture installation from The Incomplete History of Milikapiti. There are more weird, fun and wonderful sculptures in the show.
The Incomplete History of Milikapiti
When all the Whites came to Milikapiti, they gave all the Tiwis sugar, flour, beer and the dole. The Tiwi hunters – famed for their ferocity and courage – were no longer needed to hunt and kill food for the community. The Tiwi hunters had no purpose, so they lost their self-esteem and just sat around the club drinking beer.
Because the Tiwis ate only flour and sugar their teeth started to fall out. The government provided only one size of too big false teeth for everyone.
When the Whites gave all the Tiwis ladders, everyone could get their own mangoes, so the best tree climbers in the community lost their jobs and their importance, and drank beer. Because the Kookaburras got ladders, they no longer felt they needed to fly, so their wings shrank and they put on weight.
Which was fine until they met the King Brown snake, who remembered how things used to be and killed the kookaburras, whose now tiny wings could not fly their fat bodies away from King Brown’s bite.
King Brown’s poo covered the ground all over the Tiwi Islands and was a constant embarrassment to the people and the animals.
Is there anything more humiliating than seeing your father humiliated? When the government gave everyone the dole, the proud Tiwi warriors got the same amount of money as the obnoxious baseball-cap-backwards-wearing teenagers, who got the same amount as the old Tiwi women, who got the same amount as the guy who just sleeps in the broken-down old car all day.
When the Whites gave all the Tiwis glasses, the owls with the best eyesight felt valueless. They started stealing everybody’s glasses in the community, and sometimes this created domestic violence.
- Pole installation detail
- Kookaburra detail
- Crocodile detail
- Crab detail
- Crocodile detail
- Owl detail
- Crab detail
The Approach to Cameron Hayes – 14 Kurdish refugees…
here is an article my friend wrote about my Milikapiti works. the show is on at Dark Horse Experiment at 110 franklin st in Melbourne from 1st august until september 2.
this is the article here – ARTICLE
this is a painting from the show.

14 Kurdish refugees land in Milikapiti and ask, “is this Australia?” – 4th November 2003, 2012, oil on linen, 61 x 81 cm
on the 4th. of november 2003 14 kurdish refugees landed on the beach at milikapiti. one of the kurds yelled out from the boat ‘IS THIS AUSTRALIA ‘. the tiwis on the shore were not sure because the australian government was disowning the bits of itself that could be used to help people like the refugees.
this is an article from SMH about this story
Quote from marielle’s article about this work:
“The latter work referencing the sinister use of marketing in politics and the media. Based on a true story, a group of refugees were spotted on a vessel in the bay at Milikapiti. The conservative Howard Government of the time did a fantastic job of instilling a fear and hatred campaign of refugees through the media, basically branding them as potential terrorists and possible carriers of unknown diseases. It worked. So pervasive was this strategic political message that it even reached across the nation from capital cities to remote small communities. So here we have asylum seekers in the guise of The Raft of the Medusa, instead of ragged cloth they are waving brand name t-shirts representing our new dominant culture – the well marketed Brand. Would they have more success by appealing, not to empathetic fellow people, not to other displaced victims, but to those who like the same brands – who do you identify with? Are you Nike or more of a Burberry? Are you Apple or PC? Are you Right or Left?”
dog torturers ?
here is another article about my show coming up in august. this is the link http://www.aboriginalartnews.com.au/2012/06/exhibition-cancelled-after-tiwi-protest.php
another outrage
An article about the forthcoming show from artinfo.com
Perhaps you can now find the article by clicking ON THIS LINK The article is called Why Artist Cameron Hayes Was Censored: Depictions of Aboriginal Life by White Artist Spark Outrage and it is written by Nicholas Forrest.
From the air we all felt sorry for the sick and starving

From the air we all felt sorry for the sick and starving by Cameron Hayes. 1997, oil on linen, 51 x 87 inches.
This is about a planeload of white people who were flying from Australia to Europe for their holidays. On the way to Europe, the plane flies over Africa, and everyone looking out of the windows of the plane felt sorry for the starving people, and wished they could help.
But then all of a sudden the plane crash-lands in the middle of the African desert amongst all of the starving Africans.
The people from the plane realize they have only a limited food supply on the plane and therefore realize they don’t want to share the plane’s food with the Africans.
So the Whites have to find ways not to feel bad or hypocritical about not sharing their food with the Africans.
While most of the Whites just refused to leave the plane, other Whites tried to frame the Africans as wasteful, litterbugs or having voluntary eating disorders. Soon the Whites start accusing other Whites of being racists or of exploiting the Africans so they look better in comparison.
When the Whites realize that it’s easier to feel good about yourself by accusing other people of being bad rather than actually doing good acts, then everyone starts accusing everyone else.
The rescued refugees…
here is a link to an article about my painting The rescued refugees had to live off what was on the container ship, which because it was headed for Australia was full of fake Italian fashions and pet food
Click here to read the article by Catherine Schwerin
here is a photo of my painting –















Review by Grace Glueck, NY Times from 2004
i am posting some old reviews and articles. this one is about my show in new york at Ronald Feldman Gallery. . it was in the new york times.
CLICK THIS TO READ THE ARTICLE
The Cambridge nursing home won the freeway mural project by Cameron Hayes. 2001-2, oil and glitter on linen, 84 x 66 inches.