On his birthday Endora gave Darrin a magic mirror which the owner can use to swap lives with anyone he captures in it. When Aunt Clara delivers the mirror she crashes the van and the mirror shatters into thousands of pieces and so everyone in the neighbourhood can swap lives with somebody else with unsatisfying consequences.
Darrin is sick of his life in the suburbs and thinks to himself he is possibly sick of his wife Sam as well. He wishes he could have been a football star instead of being stuck in this life. However, he can not identify any other life which he is certain is a better life than his own; and equally difficult to face is the prospect of abandoning his own unique potentials and “special-ness”. He is doubly thwarted by his own doing, as the successful advertising slogans thought up by himself for the company he works for, McMahon and Tate, have made it more difficult for him to identify a suitable life swap by making everybody feel fat, inadequate, and boring with bad skin.
After many attempts Darrin decides the best way to use his magic mirror is to lean it against his house and run circles around it thus producing thousands of Darrins younger than he is in the present and having the opportunities to improve his own past rather than take another life he is unfamiliar with. In this way Darrin can explore all the possible life choices he didn’t take.
However, this plan is discarded as he becomes obsessed with finding the adult women which were once the young girls he had crushes on before he reached puberty, and uses most of his younger self Darrins for this purpose. He is also desperate to have his younger Darrins re-enact episodes of his childhood where he was personally cruel or allowed cruelty to go unchallenged and victims to go unhelped. Using McMahon and Tate billboards Darrin paints the scenes from his childhood he wants corrected. One important victim of his childhood was a girl with a bowel disorder called Carty Farty, who used to get her clothes from the lost property box and as a child Darrin gave her a grubby old tennis ball for a birthday present as a joke.
After the war in Argentina the infamous Nazi doctor Joseph Mengele is fast asleep in his caravan. He wanted to develop his research about identical twins in his lounge room, kitchen, and bathroom of the caravan that he shared with his maid/lover and her daughter. His patients’ eyes all come from the same gene pool; therefore, they see the world and themselves in a common way. Dog shows – big in Germany at the time – now take off in Argentina, as a way for people to differentiate themselves from one another. Most people try to develop their only remaining physical differences. People try to grow the world’s longest fingernails or nose hair, the world’s strongest beard or stretchiest ear. Ironically in Mengele’s eugenic paradise people walk the streets proudly displaying their intentional deformities cultivated to achieve a sense of individuality and self esteem. People look for skills that would set them apart from the Mengeleian Argentineans, like growing the world’s largest vegetables, taking the world’s longest bath, building the world’s smallest ladder, or the world’s longest backwards walk. The Guinness Book of World Records becomes the most important institution in Argentina. Scoreboards are more common than traffic lights, and unofficial world record attempts (like the longest tooth brushing) are on every street corner – until the Guinness police (wearing uniforms and armbands) move them on.
Because everyone sees things the same way, it is impossible to lie, so there is no art, no movies, and no books. Thus, the Guinness Book of World Records is able to store their records in abandoned art galleries, theaters, libraries, courtrooms, and hospitals. The lack of diversity means that there are no longer schoolyard bullies to take children’s lunch money, chase them, and fight them, so children become fat and lazy. Men can only apply for the one job, so most are unemployed, sitting on park benches, and feeding pigeons – which become fat and aggressive.
The misery of his lover’s daughter is inescapable even in her own home; scientific equipment share power points with the household items. Her discarded netball gear lies on the floor while her school friends are selecting their teams through the window. Her step-father’s world of judgement and evaluation exists inside and out.
When people share the same personality type, individual idiosyncrasies are elevated to the status of pop culture and are celebrated with mass rallies, like spoon collecting, bucket types, and playing with the Rubik cube. On this day a crowd has gathered for a bucket signing by the world famous bucket maker, Gabriel Battistuta.
Although it feels like it could just keep going Cameron Hayes’ show finishes tomorrow! Two further articles on the final stretch officially confirms this show has been an ART CONTROVERSY! Who would have thought? Apparently no-one for the past 8 years, but who knew? Melbourne City Council joined in on the act by informing the artist that his exhibition listing was taken down from their website ‘What’s On’ as it breached the Code of Conduct for “appropriated Indigenous ceremonial styles and clan motifs”. However, no-one from the council visited the show, they couldn’t explain how it appropriated styles or motifs, they couldn’t provide an explanation of due process, nor could they provide any recourse for rebuttal. Interesting! But at any rate, it provided further media attention, an extension of the show, and more visitors.
Read the article below!
If you see rubbish on the ground, why pick it up when you can set it on fire? If there’s a chair in the way of the TV, why move it when you can burn it to the ground? Just about every problem in Milikapiti can be solved by covering it in petrol and reducing it to ashes.
During burning season, you are woken up on Sunday mornings by kids in nappies walking around your backyard with a 1.25 litre plastic coke bottle full of petrol and a box of matches hoping to find some tiny shrub or blade of grass that hasn’t already been burnt to a crisp. Every house in Milikpiti has an iron drum constantly billowing smoke out the front, and the community dogs have to get up on hind legs and look into the fire for the less burning things to eat. Most Milikapiti dogs have burnt noses and tongues.
“History is subjective, people can pick out events and stories that they think are important.” And that is what Hayes is referring to by making up past dates to accompany the images in this body of work. This painting (above) was painted in Milikapiti. The artist’s local neighbours would visit him at work, an easel set up under the house. This painting was quite popular. Someone suggested it should be on display in the community club; another neighbour found it funny , stating it reminded her of how it used to be when she was a child. The community now has strict regulations regarding alcohol consumption, no alcohol was permitted at football matches while the artist was there. Hayes says of this work: “The main part of the story is how white Australian culture tries to order Tiwi life. In the background rubbish is burnt (Tiwi) rather than collected – rubbish pile burn offs, and this helps to explain why they are all over the field. One as an aesthetic device and two to reinforce the theme of the picture. Two ways of handling a problem in concert. Football is another analogy for white culture trying to order Tiwi life according to their rules, in this case footy rules. Here the whole team is standing on the mark, opposing team members are hugging. The rules work to a degree, but are adapted by the local culture, not fully accepted.
The beer cans I’ve used as an aesthetic device too. They are quite easily understood as they were everywhere, and on the footy field, the sun fades them and they become aqua in colour, they actually look quite beautiful. And when I was there it wasn’t a judgement that there were beer cans or that it was an embarrassment.”
This work was also included in the local art competition The Footy Art exhibition in 2005, where Kevin Sheedy (Essendon FC Coach at the time) awarded it First Prize. – M. Soni, June 2012.
“The humour found in the incongruous meeting of cultures has also been used in the soft sculpture installation The Hunters, 2012. Three elderly women are going hunting. They are wearing inappropriate t-shirts. Those who have ever lived in remote communities would recognise such a scene. Often there is only one shop with limited stock, usually the clothing range is t-shirts featuring popular rap bands, song titles and slogans, or multi-national brands. Here Hayes has used the lyrics from a song called “Horny” (yes, really) by Mousse T, a ludicrously banal pop song that was very popular on Australian radio. The figure is also carrying a ‘Hello Kitty’ bag, one of the world’s largest brands it has permeated nearly every remote corner on earth! The incongruity of the cuteness, the inappropriate slogans, the blood, and carcases – it displays the unique way of life, the idiosyncrasies of the Tiwi people. Hayes also uses this simple, funny scene as a metaphor for what he describes as an ‘ill-fitting culture’. The European choices, the white Australian lifestyle just doesn’t quite meet the women’s needs.” – Marielle Soni, June 2012
Hardly anyone believes in promised wives and just about no one would use it as an excuse to hurt a child. Hundreds of nappies are brought in on the barge every fortnight. It’s hard to dispose of them, so some people throw their dirty nappies on each others roofs. Once I was sitting under the tree, waiting for the shop to open with some children, when the one still in nappies wanted money. She kept trying to sit on my lap and put her arm around my neck. It felt like when you’re unexpectedly falling and tasted like a mouthful of your own blood. Hardly anyone believes in promised wives, and just about no one would use it as an excuse to hurt a child.
When a fight breaks out everyone is so related and allied that you can’t predict who will take which side even in football games. Whenever you’re talking to a Tiwi about other Tiwis you’re always thinking, am I talking about his brother, uncle, nephew, son…
The anthropologist Baldwin Spencer in the 1920s said that when there was a Tiwi battle, people kept changing sides so everyone just went home.
In Milikapiti the dogs hang out in packs. When two packs meet each other, the two lead dogs, instead of fighting each other, lie on their backs in acts of total submission, while their three or four bitches stand behind them chewing nappies.
The white men in Milikapiti are all called Les, and their way of being friendly is to convince you that they are not threat to you in any way. One of the white men in charge of water said – when I asked him a question – “What would I know? I’m just a fucking dumb cunt.”, while his wife stands behind him nodding approvingly. When two white Milikapiti men meet, it is a race to see who can degrade themselves as quickly and as completely as possible.
It took the nuns a couple of months to realise that more girls would attend PE class if it involved less netballs and more shotguns.
When a really old Tiwi woman took all her clothes off and danced naked on the stage at the club, another really old Tiwi woman yelled at her, “Put your clothes on Joan, Your possum’s dead”.
This is Dr Clyde Fenton. In the early 1930s he brought his own broken down old plane and made himself the first flying doctor in the NT. He attended Xavier College, and although he did graduate as a medical doctor in 1925 from Melbourne University, he was a self-taught pilot. A disaster to the Civil Aviation Department, but a hero to the Tiwi people, as he was their only hope for medical assistance at the time.
Despite having a free medical clinic, most Tiwis won’t get help until the absolute last minute. In Milikapiti there are 2 nurses and a doctor flies in on Mondays. Just about everyone walks around with something bandaged.
This is Doctor Clyde Fenton. In the early 1930s he brought his own broken down old plane and made himself the first flying doctor in the NT. According to his autobiography, Clyde Fenton’s sister died in China in 1936 while being visited by their mother. On the day he heard, Fenton flew from Katherine to Darwin, welded an extra fuel tank to his plane, put another fuel tank in the passenger seat, and flew from Darwin to China across the Timor Sea during cyclone season, while Japan were fighting with China, without any landing permits or visas, and without telling anyone or bringing any one, and anyone who complained was some kind of “blasted dim-witted bureaucrat”.
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